Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. 07 Apr 1939 card no. By townxycolter. Terry Ingram discusses current art market, and valuation of Whiteley's work. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Brett Whiteley - Far North Queensland (1992) oil, earth, charcoal, collage on plywood. Peter Ross, Let's face it: the history of the Archibald Prize, 'Into the 1970s', pg. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. Portraiture shouldnt just be paint and canvas. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. card no. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. Open daily (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. He sometimes took more than his body could handle, and had to be admitted to hospital for alcohol poisoning twice. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. From $35.80. 2023 Guardian News & Media Limited or its affiliated companies. But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). Shop today! The urge was bound up with a self-conscious sense of his own genius. ), 23. Brett Whitely (Australian 1939-1992) Bio. Typically, the viewer is led deeper into the picture by means of minute detail. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Consider the location, size and functions. corner, white oil "1975 brett whiteley". One way that America influenced him is in the scale of his works. plate no. Donated through the Australian Government's Cultural Gifts Program. Michaela Boland., Weekend Australian, 'Master cards', pg. 13: Brett Whiteley 'Self portrait in the studio' 1976. Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. Brett Whiteley is photographed by Robert Walker at. Self portrait in the studio 1976 Like many other Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. From $32.10. 47-49, Sydney, Nov 2008, 47 (colour illus.). How does he push the definition of portraiture? It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from ones psyche. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. (1975), both from the collection of the Art Gallery of NSW. Brush and ink on brown paper 80.5 x 53.5cm. He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. Whiteley loved painting Sydney Harbour views in the 1970s such as in his paintings, Henri's Armchair (1974)[10] The balcony 2 (1975)[11] and Interior with time past (1976),[12] which show an interior and exterior view starting with a room that leads through open windows to the harbour full of boats outside. 9, Sydney, 07 Sep 2013, 9. Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. 36. The balcony 2 Brett Whiteley 1975 116.1981. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. Create a self-portrait that reflects your emotional state. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. The coroner's verdict was 'death due to self-administered substances'. I think he has done this to make the place seem more realistic because if he had . An astonishing exhibition. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. (age36in1975). We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. He was the youngest living artist to have work purchased by the Tate, a record that still stands. [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. 40, No. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. from The New York Times: Clinton had borrowed from his proposals to make public colleges free. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. Brett Whiteley: van Gogh self portraits, Greenhill Galleries, , 27 Jan 1987-22 Feb 1987. Shop today! Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. Whiteleys biographer, Ashleigh Wilson, describes the work as a confronting depiction of the panic and desperation of drug addiction. Brett Whiteley and the lyricism of the drawn line - in pictures . 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). See opening hours Image of David Williamson standing in front of 'The balcony 2'. Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. After studying desultorily at art school he travelled to Europe on ascholarship. Signed and dated l.r., black ink "brett whiteley/ 1975-76/ ". According to art writer Bruce James, the self-conscious inclusion of the austere pronoun 'IT' that also makes up part of the work compacts life, passion, death and faith in a single empowering word and unites the notional wings of an altarpiece to nascent addiction. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. 46. Open daily 2-4, Sydney, 2001, 8. What is Whiteley trying to tell us about himself in his self-portraits? He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. High-quality Brett Whiteley Free Flowing Self Portrait Wall Art designed and sold by artists. plate no. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010, (colour illus.). The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . Scholarly publications with full text pdf download. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.).
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